handsome pete
Apr 6, 08:57 AM
Yes, there are ways in FCP, but they are clunky! It was much easier for my project to do it in iMovie. Naturally, it is not true for every project.
For example, I can't do Multicam edits in iMovie. FCP has also its advantages, for sure! If FCP could marry with iMovie and make a child, the new FCP, that would be heaven.
If you can't do precision edits in FCP quickly and easily, then you just don't know the software that well.
Changing FCP to mimic iMovie would be the death of it as a "pro" application. It would turn away most of it's established user base. There aren't many complaints about the mechanics of the interface. After all, almost all pro NLEs are based in the same structure. What a new version of FCP needs instead are things like better media management, 64 bit support, better blu-ray authoring, etc.
For example, I can't do Multicam edits in iMovie. FCP has also its advantages, for sure! If FCP could marry with iMovie and make a child, the new FCP, that would be heaven.
If you can't do precision edits in FCP quickly and easily, then you just don't know the software that well.
Changing FCP to mimic iMovie would be the death of it as a "pro" application. It would turn away most of it's established user base. There aren't many complaints about the mechanics of the interface. After all, almost all pro NLEs are based in the same structure. What a new version of FCP needs instead are things like better media management, 64 bit support, better blu-ray authoring, etc.
princealfie
Nov 29, 09:13 AM
No actually, I represent recording artists, songwriters and producers. I am on the other side usually trying to fight the labels for every nickle an artist can try to get.
Really? Or the music execs. People often think that they are supporting the artists when they are basically shafting them instead.
In fact, the same way like art dealers too. I have seen the best galleries ream their clients like there is no tomorrow.
We have good reason to be suspect indeed. The mediator often is the kingpin for the troubles to begin with.
Really? Or the music execs. People often think that they are supporting the artists when they are basically shafting them instead.
In fact, the same way like art dealers too. I have seen the best galleries ream their clients like there is no tomorrow.
We have good reason to be suspect indeed. The mediator often is the kingpin for the troubles to begin with.
steve no jobs
Apr 8, 12:35 AM
I read over at TechCrunch that it was to meet daily sales quotas, which is to benefit the store manager, mostly. They look better for hitting/beating their quota everyday, regardless of whether or not it is actually at all helpful to Best Buy.
So it sounds like Best Buy has stolen a page from communist China's playbook. That seems like good business practice.
And why would it be an accomplishment for a manager to sell the quota of ipads for the day? You could set up a shop that exclusively sells ipads in the depths of a cave inhabited by a fire breathing dragon and you'd still have fanboys lining up at 6am to get one.
So it sounds like Best Buy has stolen a page from communist China's playbook. That seems like good business practice.
And why would it be an accomplishment for a manager to sell the quota of ipads for the day? You could set up a shop that exclusively sells ipads in the depths of a cave inhabited by a fire breathing dragon and you'd still have fanboys lining up at 6am to get one.
SevenInchScrew
Aug 18, 10:14 PM
OK, relating to my earlier posts, after seeing this picture, my expectations of the actual driving and racing in the game are now at a stratospheric level. Having 200 cars with this level of detail is great, but I hope the actual on-track experience has increased as much, if not more. Fingers crossed.... tightly.
{Click to huge-size}
http://i38.tinypic.com/2s7u992.jpg
{Click to huge-size}
http://i38.tinypic.com/2s7u992.jpg
shelterpaw
Aug 11, 04:04 PM
No, not EVERYONE. I own 4 cell phones. By your logic, I would be counted as 4 people.And you have all the personalities to go with them. :D
heisetax
Jul 14, 04:16 PM
That's nice...
They'd better have something in between this and the iMac...
Apple has had an inbetween model for a long time. Low end where models change more often compared to a so called high end where a good model is made, then only minor changes are made every year or so. High end clock speed will still be down after 2 years. It sounds to me that Apple makes a high end then allows it to slide to a middle ground, ownly they forget to lower the price to mid ground.
The new Intel Macs are supposed to be top end again, so that means a general accross the board price increases. The price increases must mean we are getting a new high end product. Just wait a couple of generations & we'll have a mid-range Mac.
Bill the TaxMan
They'd better have something in between this and the iMac...
Apple has had an inbetween model for a long time. Low end where models change more often compared to a so called high end where a good model is made, then only minor changes are made every year or so. High end clock speed will still be down after 2 years. It sounds to me that Apple makes a high end then allows it to slide to a middle ground, ownly they forget to lower the price to mid ground.
The new Intel Macs are supposed to be top end again, so that means a general accross the board price increases. The price increases must mean we are getting a new high end product. Just wait a couple of generations & we'll have a mid-range Mac.
Bill the TaxMan
samcraig
Apr 27, 10:08 AM
revelated, beware! Apple is closing in on you with their black helicopters and vans to take you prisoner for mind control experiments.
OR
If they did this on purpose, maybe they wanted to know why so many people complain about AT&T in certain parts of SF. Or maybe they wanted to know how many users access Internet via all the Starbucks in the world? Maybe they wanted to direct ads at you based upon your location.
All of the above are already being done to you via many other avenues, e.g. your frequent buyer cards, ATMs, CCs, etc.
BUT
If you want to believe there is some BIGGER MYSTERIOUS PURPOSE in mind for them to do this, you go right own. LOOK OUT BEHIND YOU - WAS THAT A BLACK UNMARKED VAN!!!! :D
And maybe purging or limiting this DB won't slow location service based apps/etc either.
It goes both ways.
In fact - if purging this data WAS going to cause a performance issue - do you really think Apple would do it? They aren't exactly the type to sacrifice quality, are they?
OR
If they did this on purpose, maybe they wanted to know why so many people complain about AT&T in certain parts of SF. Or maybe they wanted to know how many users access Internet via all the Starbucks in the world? Maybe they wanted to direct ads at you based upon your location.
All of the above are already being done to you via many other avenues, e.g. your frequent buyer cards, ATMs, CCs, etc.
BUT
If you want to believe there is some BIGGER MYSTERIOUS PURPOSE in mind for them to do this, you go right own. LOOK OUT BEHIND YOU - WAS THAT A BLACK UNMARKED VAN!!!! :D
And maybe purging or limiting this DB won't slow location service based apps/etc either.
It goes both ways.
In fact - if purging this data WAS going to cause a performance issue - do you really think Apple would do it? They aren't exactly the type to sacrifice quality, are they?
Joshuarocks
Apr 7, 11:30 PM
Best Buy is now WORST BUY!!!!
MacRumors
Apr 25, 01:32 PM
http://www.macrumors.com/images/macrumorsthreadlogo.gif (http://www.macrumors.com/2011/04/25/federal-lawsuit-filed-over-apples-location-tracking-in-ios/)
http://images.macrumors.com/article/2011/04/25/143129-iphone_4_maps_compass.jpg
In what shouldn't be a surprise to anyone, Bloomberg briefly reports (http://www.bloomberg.com/news/2011-04-25/apple-sued-over-user-location-data-storage-on-iphones-ipads.html) that a lawsuit has been filed in U.S. federal court targeting Apple over privacy concerns (http://www.macrumors.com/2011/04/20/researchers-disclose-iphone-and-ipad-location-tracking-privacy-issues/) related to location information being stored on iOS devices and in backups for those devices. The lawsuit is almost certainly the first of many regarding this issue.Apple Inc. (AAPL) was sued for alleged privacy invasion and computer fraud by two customers who claim the company is secretly recording and storing the location and movement of iPhone and iPad users, according to a federal complaint filed today in Tampa, Florida.As we noted earlier today (http://www.macrumors.com/2011/04/25/steve-jobs-on-ios-location-issue-we-dont-track-anyone/), Apple CEO Steve Jobs has reportedly replied to a customer email denying that Apple is tracking its customers and labeling the claims being widely discussed as "false".
Article Link: Federal Lawsuit Filed Over Apple's Location Tracking in iOS (http://www.macrumors.com/2011/04/25/federal-lawsuit-filed-over-apples-location-tracking-in-ios/)
http://images.macrumors.com/article/2011/04/25/143129-iphone_4_maps_compass.jpg
In what shouldn't be a surprise to anyone, Bloomberg briefly reports (http://www.bloomberg.com/news/2011-04-25/apple-sued-over-user-location-data-storage-on-iphones-ipads.html) that a lawsuit has been filed in U.S. federal court targeting Apple over privacy concerns (http://www.macrumors.com/2011/04/20/researchers-disclose-iphone-and-ipad-location-tracking-privacy-issues/) related to location information being stored on iOS devices and in backups for those devices. The lawsuit is almost certainly the first of many regarding this issue.Apple Inc. (AAPL) was sued for alleged privacy invasion and computer fraud by two customers who claim the company is secretly recording and storing the location and movement of iPhone and iPad users, according to a federal complaint filed today in Tampa, Florida.As we noted earlier today (http://www.macrumors.com/2011/04/25/steve-jobs-on-ios-location-issue-we-dont-track-anyone/), Apple CEO Steve Jobs has reportedly replied to a customer email denying that Apple is tracking its customers and labeling the claims being widely discussed as "false".
Article Link: Federal Lawsuit Filed Over Apple's Location Tracking in iOS (http://www.macrumors.com/2011/04/25/federal-lawsuit-filed-over-apples-location-tracking-in-ios/)
WillMak
Aug 7, 05:36 PM
Will those of us with 32 bit Yonah processors not have access to 100% of leopards features?
Snowy_River
Jul 30, 02:08 AM
It looks pretty good! The extra room would allow for the 3.5" HDD and a dedicated GPU--making it a "true" media center.
Not to nitpick, but maybe it would only have to be 1.5x wider rather than 2x wide. Either way, I think it's pretty cool. Thanks! ;)
I think that the bigger issue with Dan=='s design (full credit and kudos for the idea!) is that the Mac Mini is so small that it only uses laptop components. If you want to have a full-size optical drive or a full-size hard drive, you need to use a larger form factor. This is part of the reason for the size of my design.
Here's a comparison in sizes (I've also changed the floor because my wife thought that the reflection was confusing...)
http://www.ghwphoto.com/3MacsFrontSm.png
http://www.ghwphoto.com/3MacsBackSm.png
Cheers!
Not to nitpick, but maybe it would only have to be 1.5x wider rather than 2x wide. Either way, I think it's pretty cool. Thanks! ;)
I think that the bigger issue with Dan=='s design (full credit and kudos for the idea!) is that the Mac Mini is so small that it only uses laptop components. If you want to have a full-size optical drive or a full-size hard drive, you need to use a larger form factor. This is part of the reason for the size of my design.
Here's a comparison in sizes (I've also changed the floor because my wife thought that the reflection was confusing...)
http://www.ghwphoto.com/3MacsFrontSm.png
http://www.ghwphoto.com/3MacsBackSm.png
Cheers!
raven13mb
Apr 5, 05:43 PM
Yeap, cause everything ends up on BluRay, no wait, it doesn't.
FCP is for editing, Motion is for graphics, Soundtrack Pro is for audio, Compressor is for encoding (even for BluRay) and Color is for grading.
If you need to author BluRay you use another tool.
Also there will be no training of the new software at NAB, why because NAB is almost over by Tuesday night. Most of the training will already have happened. And there is always a lot of training going on, there are classes to get certified, and certified instructors do not get advanced copies of the software.
Also I don't see Apple hijacking the SuperMeet, those guys would not screw all their long time sponsors for a one time apple thing. This event is huge, they have everything. Now there might be some re-shifting but as I said Tuesday is a long time to hold something through NAB. Apple used to have there own major event on Sunday mornings to unveil the newest FCP.
Nice post... I just wanted to add I always author Bluray using Final Cut. It might be bare-bones, but it does the job! 45 full length 2 hour long videos last year alone and not a single dissatisfied customer. It would be nice to do a little more in the way of authoring Blueray through Final Cut or DVDSP natively, but my only real hope is for 64 bit so the program can utilize the processing power of 8-core Macpros. I'm drooling over the idea of super-fast render times, exporting, etc. etc. etc.
HOPEFULLY they bundle and update for FCS for current registered pro users for $250 like the last release... which seems like an eternity ago!
FCP is for editing, Motion is for graphics, Soundtrack Pro is for audio, Compressor is for encoding (even for BluRay) and Color is for grading.
If you need to author BluRay you use another tool.
Also there will be no training of the new software at NAB, why because NAB is almost over by Tuesday night. Most of the training will already have happened. And there is always a lot of training going on, there are classes to get certified, and certified instructors do not get advanced copies of the software.
Also I don't see Apple hijacking the SuperMeet, those guys would not screw all their long time sponsors for a one time apple thing. This event is huge, they have everything. Now there might be some re-shifting but as I said Tuesday is a long time to hold something through NAB. Apple used to have there own major event on Sunday mornings to unveil the newest FCP.
Nice post... I just wanted to add I always author Bluray using Final Cut. It might be bare-bones, but it does the job! 45 full length 2 hour long videos last year alone and not a single dissatisfied customer. It would be nice to do a little more in the way of authoring Blueray through Final Cut or DVDSP natively, but my only real hope is for 64 bit so the program can utilize the processing power of 8-core Macpros. I'm drooling over the idea of super-fast render times, exporting, etc. etc. etc.
HOPEFULLY they bundle and update for FCS for current registered pro users for $250 like the last release... which seems like an eternity ago!
Porchland
Aug 7, 04:18 PM
I'm real excited for the new iChat and Spaces, along with these new "top secret features..." They better be good!
The finder is definately my bet for something to be revamped, along with probably iLife which will be revamped for leopard.
Edit : Also something more with virtualization (boot camp area) as they did not touch that really.
My bets are on some kind of Boot Camp-ish feature that will allow for native installation of Windows applications -- without Windows -- right into OS X. It would obliterate the need for applications to be written for both Windows and Mac.
<ducks and waits for flamers to whine about how impossible this is>
The finder is definately my bet for something to be revamped, along with probably iLife which will be revamped for leopard.
Edit : Also something more with virtualization (boot camp area) as they did not touch that really.
My bets are on some kind of Boot Camp-ish feature that will allow for native installation of Windows applications -- without Windows -- right into OS X. It would obliterate the need for applications to be written for both Windows and Mac.
<ducks and waits for flamers to whine about how impossible this is>
SuperCachetes
Mar 23, 06:42 PM
That's what it might look like from your shores. Fortunately, the world and life isn't so black and white.
I don't know what shores you think I live on, or what is fortunate about being subjective in terms of intervening into security concerns or human tragedy.
I don't know what shores you think I live on, or what is fortunate about being subjective in terms of intervening into security concerns or human tragedy.
coder12
Apr 5, 07:05 PM
YES!!! (http://www.youtube.com/watch?v=eyqUj3PGHv4)
NoNameBrand
Jul 21, 08:26 AM
yeah, what he said. Apple does not have to distinguish powermacs from servers with processor speeds. People (businesses) who need servers are not going to buy powermacs to do the job even if they are a little bit faster or cheaper; they are going to buy real rack-mounted servers.
Now you're not thinking like a competitive company that needs to continue to make money.
Sun is on the ropes and Apple now has a chance to soar in and take a lot of business from them.
How does Apple releasing an eight-way workstation prevent them from competing with Sun in the server market, again? I must have missed that part.
Now you're not thinking like a competitive company that needs to continue to make money.
Sun is on the ropes and Apple now has a chance to soar in and take a lot of business from them.
How does Apple releasing an eight-way workstation prevent them from competing with Sun in the server market, again? I must have missed that part.
ART5000
Jul 20, 11:57 PM
ANy gurus on hand here..
is it possible that Apple will come out with dual woocrest then when kentfield hits the street, we could just buy the processor and snap out woody and snap in Kentfield.
IS THIS FEASIBLE:rolleyes:
is it possible that Apple will come out with dual woocrest then when kentfield hits the street, we could just buy the processor and snap out woody and snap in Kentfield.
IS THIS FEASIBLE:rolleyes:
ruutiveijari
Oct 15, 01:06 PM
Why would Apple show their Clovertown workstations after HP and not simultaneusly with HP?
Because HP is a much bigger company with much bigger sales volume and probably gets all the new processors before Apple does.
Because HP is a much bigger company with much bigger sales volume and probably gets all the new processors before Apple does.
Kevin Monahan
Apr 6, 02:20 PM
Unless you have an extreme PC...Adobe makes no sense (unless you are using the Quadro nVidia cards in a Mac Pro). Sure, the Merc engine increases performance for a few transitions and filters....but rendering is still necessary in MOST cases!
Premiere Pro makes sense in a lot of cases for Mac users. It makes the most sense for After Effects artists, like yourself, as you can dynamic link directly to After Effects from the Premiere Pro timeline. As you pointed out, Macs work great with Premiere Pro and the NVIDIA Quadro 4000 card. More and more cards are being supported as time moves forward. Want a certain card to add Mercury Playback engine hardware acceleration? Make a request here: http://www.adobe.com/go/wish
Not sure what you mean by "unless you have an extreme PC, Adobe makes no sense?" Yes, you need more RAM and a decent NVIDIA card to make Premiere Pro really fly on a PC-it's a 64 bit application-but even modest PCs do just fine with Premiere Pro. If Apple puts out a 64 bit application, you can bet that you should be looking at upgrading your Mac with a lot more RAM, more cores on the GPU, etc., as well. Need more info on tuning your system with Premiere Pro? Watch this: http://tv.adobe.com/watch/learn-premiere-pro-cs5/optimize-a-computer-for-mercury-playback-engine/
You wrote that rendering is still necessary in most cases. Really? What kind of system are you on? I've never had to render, even on my '09 MacBook Pro with no NVIDIA card and the Mercury Playback Engine in software mode.
You say that CUDA accelerates only a "few" video filters and transitions? There are a lot more than that! Upgrade to Premiere Pro 5.0.3 and you'll see the following GPU accelerated effects:
- Alpha Adjust
- Basic 3D
- Black & White
- Brightness & Contrast
- Color Balance (RGB)
- Color Pass
- Color Replace
- Crop
- Drop Shadow
- Extract
- Fast Color Corrector
- Feather Edges
- Gamma Correction
- Garbage Matte (4, 8, 16)
- Gaussian Blur
- Horizontal Flip
- Levels
- Luma Corrector
- Luma Curve
- Noise
- Proc Amp
- RGB Curves
- RGB Color Corrector
- Sharpen
- Three-way Color Corrector
- Timecode
- Tint
- Track Matte
- Ultra Keyer
- Video Limiter
- Vertical Flip
Reacent Post
Premiere Pro makes sense in a lot of cases for Mac users. It makes the most sense for After Effects artists, like yourself, as you can dynamic link directly to After Effects from the Premiere Pro timeline. As you pointed out, Macs work great with Premiere Pro and the NVIDIA Quadro 4000 card. More and more cards are being supported as time moves forward. Want a certain card to add Mercury Playback engine hardware acceleration? Make a request here: http://www.adobe.com/go/wish
Not sure what you mean by "unless you have an extreme PC, Adobe makes no sense?" Yes, you need more RAM and a decent NVIDIA card to make Premiere Pro really fly on a PC-it's a 64 bit application-but even modest PCs do just fine with Premiere Pro. If Apple puts out a 64 bit application, you can bet that you should be looking at upgrading your Mac with a lot more RAM, more cores on the GPU, etc., as well. Need more info on tuning your system with Premiere Pro? Watch this: http://tv.adobe.com/watch/learn-premiere-pro-cs5/optimize-a-computer-for-mercury-playback-engine/
You wrote that rendering is still necessary in most cases. Really? What kind of system are you on? I've never had to render, even on my '09 MacBook Pro with no NVIDIA card and the Mercury Playback Engine in software mode.
You say that CUDA accelerates only a "few" video filters and transitions? There are a lot more than that! Upgrade to Premiere Pro 5.0.3 and you'll see the following GPU accelerated effects:
- Alpha Adjust
- Basic 3D
- Black & White
- Brightness & Contrast
- Color Balance (RGB)
- Color Pass
- Color Replace
- Crop
- Drop Shadow
- Extract
- Fast Color Corrector
- Feather Edges
- Gamma Correction
- Garbage Matte (4, 8, 16)
- Gaussian Blur
- Horizontal Flip
- Levels
- Luma Corrector
- Luma Curve
- Noise
- Proc Amp
- RGB Curves
- RGB Color Corrector
- Sharpen
- Three-way Color Corrector
- Timecode
- Tint
- Track Matte
- Ultra Keyer
- Video Limiter
- Vertical Flip
DocNo
Apr 11, 10:06 AM
I still think tape cameras are the best in quality, but the practicality of recording on a card or a hard drive will soon beat that.
I think Apple's timing with tomorrow is perfect for them to capitalize on this. If you watched the first two clips, the panelists talked about the lack of real standards for data and more importantly meta-data for file based workflows. They also referenced the only factory in the world that produces the most commonly used tape in pro workflow as being wiped out by the Tsunami in Japan - if Apple follows up with a new standard for file based workflow (which I fully expect them to do - skating to where the puck will be - it's a no brainer) and with Thunderbolt and a few manufacturers ready to capitalize it, I think you could see a dramatic shift in workflow since the tape situation will get dire for many. As one of the panelists pointed out, people aren't going to stop creating content just because they can't get more tape.
This might be the external catalyst that causes a dramatic shift. They are rare, but they do happen and events certainly seem to be lining up!
(I can't wait for the eventual conspiracy theorists that will no doubt claim SJ engineered the Tsunami in order to take advantage of it :rolleyes: )
I think Apple's timing with tomorrow is perfect for them to capitalize on this. If you watched the first two clips, the panelists talked about the lack of real standards for data and more importantly meta-data for file based workflows. They also referenced the only factory in the world that produces the most commonly used tape in pro workflow as being wiped out by the Tsunami in Japan - if Apple follows up with a new standard for file based workflow (which I fully expect them to do - skating to where the puck will be - it's a no brainer) and with Thunderbolt and a few manufacturers ready to capitalize it, I think you could see a dramatic shift in workflow since the tape situation will get dire for many. As one of the panelists pointed out, people aren't going to stop creating content just because they can't get more tape.
This might be the external catalyst that causes a dramatic shift. They are rare, but they do happen and events certainly seem to be lining up!
(I can't wait for the eventual conspiracy theorists that will no doubt claim SJ engineered the Tsunami in order to take advantage of it :rolleyes: )
Marx55
Jul 14, 04:33 PM
Dual optical drive is fantastic. Actually, even cheap PC-Windows boxes have had them for ages as a standard feature in basically of models.
On the other hand, a quiet Mac would be great. If possible, with no fans. Quiet. As the cube was.
On the other hand, a quiet Mac would be great. If possible, with no fans. Quiet. As the cube was.
shawnce
Nov 28, 07:05 PM
I think it is crazy for everyone to think that the music industry is greedy when it getting squeezed out of all of their revenue streams. So, Apple makes hundreds of millions off of their back on the itunes site, and a billion off of iPod sales, and they cannot share in the wealth? Huh?
Apple pays the record labels for every song sold via iTMS, a vast majority of the "99 cents" for a song goes to the record labels (or direct to independent artist). iTMS is providing a new sales channel with effectively zero cost to the record labels (one that avoids manufacturing, shipping and stocking of physical units). This is a totally NEW revenue stream that arguable provides the record labels more bang for their buck then prior revenue streams and it is arguable more secure from copyright violations then prior revenue streams (FairPlay DRM). It also more directly connects customers with music (easy to do impulse purchases, etc.).
Now for the other half of your statement... just why should record companies get money for every iPod sold? This type of thinking is in some ways similar to demanding that paint manufactures should get a cut of the profits of every paint brush sold.
As a side note... I support the record companies/artist going after major copyright violators using legal proceedings.
Apple pays the record labels for every song sold via iTMS, a vast majority of the "99 cents" for a song goes to the record labels (or direct to independent artist). iTMS is providing a new sales channel with effectively zero cost to the record labels (one that avoids manufacturing, shipping and stocking of physical units). This is a totally NEW revenue stream that arguable provides the record labels more bang for their buck then prior revenue streams and it is arguable more secure from copyright violations then prior revenue streams (FairPlay DRM). It also more directly connects customers with music (easy to do impulse purchases, etc.).
Now for the other half of your statement... just why should record companies get money for every iPod sold? This type of thinking is in some ways similar to demanding that paint manufactures should get a cut of the profits of every paint brush sold.
As a side note... I support the record companies/artist going after major copyright violators using legal proceedings.
SeattleMoose
Mar 25, 10:40 PM
Wasn't that "double secret golden master"? :cool:
matticus008
Nov 29, 08:32 AM
I question any law/contract of this type on several grounds:
1 - How are the eligable rightsholders identified/compensated?
It depends on the system in place. In Canada, I believe the proceeds are turned over to the CRIA which is then responsible for distribution to its members through a process of their own selection (and not legally specified).
2 - How are they compensated equitably? Do you compensate Jay-Z and a classical artist the same? Which ever you prefer, Jay-Z sells more.
Again, it's up to the labels to decide. Once they get their cut from the CRIA, the label controls distribution within its internal channels. More popular artists on that label probably get a bigger cut than niche artists, but more importantly, individual artists likely never see much in the way of proceeds from this.
3 - If I've paid the royalty, don't I own rights to the music? Sure, I may need to find a copy of it, but I'm told that they're all over a thing called the "internet".
No. Most importantly, the royalty does not create a stipulation, or even a fiduciary relationship between you, the customer, and the CRIA. The exchange is between the company (Apple, RCA, Samsung, Microsoft, etc.) and the industry consortium.
Even setting that aside, you have no record of a transaction taking place at all. You can't claim to have paid royalties and have received nothing in return granting you any rights (one way to fight this is to demand that a given label supply you with a written document). Absent consideration, all you've essentially done is paid money for nothing--you didn't send the label a contract with your dollar (and you can't, since you're not paying them the dollar anyway, you'd be paying Apple). Your contribution isn't so much because you're pirating music, but because you could be. It's like putting down a deposit, having to pay insurance, or having a membership in a book club. You pay money, but that's not the end of the transaction. The only thing this royalty grants you is a tacit guarantee that Universal will continue to provide digital content.
1 - How are the eligable rightsholders identified/compensated?
It depends on the system in place. In Canada, I believe the proceeds are turned over to the CRIA which is then responsible for distribution to its members through a process of their own selection (and not legally specified).
2 - How are they compensated equitably? Do you compensate Jay-Z and a classical artist the same? Which ever you prefer, Jay-Z sells more.
Again, it's up to the labels to decide. Once they get their cut from the CRIA, the label controls distribution within its internal channels. More popular artists on that label probably get a bigger cut than niche artists, but more importantly, individual artists likely never see much in the way of proceeds from this.
3 - If I've paid the royalty, don't I own rights to the music? Sure, I may need to find a copy of it, but I'm told that they're all over a thing called the "internet".
No. Most importantly, the royalty does not create a stipulation, or even a fiduciary relationship between you, the customer, and the CRIA. The exchange is between the company (Apple, RCA, Samsung, Microsoft, etc.) and the industry consortium.
Even setting that aside, you have no record of a transaction taking place at all. You can't claim to have paid royalties and have received nothing in return granting you any rights (one way to fight this is to demand that a given label supply you with a written document). Absent consideration, all you've essentially done is paid money for nothing--you didn't send the label a contract with your dollar (and you can't, since you're not paying them the dollar anyway, you'd be paying Apple). Your contribution isn't so much because you're pirating music, but because you could be. It's like putting down a deposit, having to pay insurance, or having a membership in a book club. You pay money, but that's not the end of the transaction. The only thing this royalty grants you is a tacit guarantee that Universal will continue to provide digital content.
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