Unspeaked
Nov 29, 01:08 PM
I agree, they won�t go away anytime soon, but change is coming, and change will be good for artists and consumers, not for the record labels.
Sorry for my weird grammar or mispells, I am not a native english speaker, I don�t have a spell checker on this computer (in english at least) and I am too lazy to proof read what I wrote lol :)
Dude, I think you're right on, and your English is fine (better than some native English speakers who post here, in any case!).
Distribution methods like iTunes make the middle men - the labels - obsolete. It puts artists on a level playing field and coupled with viral marketing like MySpace and such it really spells the end for record labels as we know them.
If anything, all a "record label" might hope to be in the future is a marketing branch that works with an artists and takes a small cut of their sales, not the eight headed monster who controls ever aspect of an artists career - from where they record their album to what sizes their t-shirts come in - that we find today.
And as far as radio goes, it's totally done as a means of making hits. Heck, even next generation satellite radio is struggling - you're telling me terrestrial radio, which is nothing more than 15 minutes of talk and 20 minutes of commercial per hour is deciding what's popular today? Nuh uh. Try: MySpace, commercials, blogs, television series background music, etc. THAT's where today's hits come from.
FM radio and MTV lost all significance ages ago. If you're using them to find hits, maybe you should get off your PowerMac 6100 and upgrade your 14,000 baud modem to a DSL connection so you can visit the real world...
Sorry for my weird grammar or mispells, I am not a native english speaker, I don�t have a spell checker on this computer (in english at least) and I am too lazy to proof read what I wrote lol :)
Dude, I think you're right on, and your English is fine (better than some native English speakers who post here, in any case!).
Distribution methods like iTunes make the middle men - the labels - obsolete. It puts artists on a level playing field and coupled with viral marketing like MySpace and such it really spells the end for record labels as we know them.
If anything, all a "record label" might hope to be in the future is a marketing branch that works with an artists and takes a small cut of their sales, not the eight headed monster who controls ever aspect of an artists career - from where they record their album to what sizes their t-shirts come in - that we find today.
And as far as radio goes, it's totally done as a means of making hits. Heck, even next generation satellite radio is struggling - you're telling me terrestrial radio, which is nothing more than 15 minutes of talk and 20 minutes of commercial per hour is deciding what's popular today? Nuh uh. Try: MySpace, commercials, blogs, television series background music, etc. THAT's where today's hits come from.
FM radio and MTV lost all significance ages ago. If you're using them to find hits, maybe you should get off your PowerMac 6100 and upgrade your 14,000 baud modem to a DSL connection so you can visit the real world...
bobsentell
Apr 7, 11:32 PM
Meh. Makes room for HP's inventory. You know, the company that sells more computers than any other company. :D
slackpacker
Apr 10, 06:29 AM
Well I bet they handle Formats differently.
Gone is Pulldown. Gone is Film Support...replaced with the best web movie rendering support in the industry. Also Apple will change the antiquated delivery method for productions. Once your done you publish to the itunes store and you have now distributed your movie. The interface will be a multitrack version of iMovie. From watching this clip and all the industry big wigs saying "its wonderful" Ya its great but in a different way ... because whats going to be released is not FCP studio 4. I'm sure its a whole new thing. So all the iMovie 7 users who had to keep using it because iMovie 8 was a total re-write because of no legacy no pluggin support will happen to FC Editors. This will force Editors who use Studio 3 to continue to use S3 until they build up the features of this "new" editor. Its going to be a very interesting NAB. Avid and Premiere are going to gain a lot of new friends if this is true. But the larger batch of new editors who really could care less about 99% of what this small market needs will be very happy. I also bet the price is quite a bit lower as well.
This will be the everything is gone and changed upgrade.
Gone is Pulldown. Gone is Film Support...replaced with the best web movie rendering support in the industry. Also Apple will change the antiquated delivery method for productions. Once your done you publish to the itunes store and you have now distributed your movie. The interface will be a multitrack version of iMovie. From watching this clip and all the industry big wigs saying "its wonderful" Ya its great but in a different way ... because whats going to be released is not FCP studio 4. I'm sure its a whole new thing. So all the iMovie 7 users who had to keep using it because iMovie 8 was a total re-write because of no legacy no pluggin support will happen to FC Editors. This will force Editors who use Studio 3 to continue to use S3 until they build up the features of this "new" editor. Its going to be a very interesting NAB. Avid and Premiere are going to gain a lot of new friends if this is true. But the larger batch of new editors who really could care less about 99% of what this small market needs will be very happy. I also bet the price is quite a bit lower as well.
This will be the everything is gone and changed upgrade.
rickag
Nov 29, 08:55 AM
This is a dangerous game Universal is playing. If Apple refuses and Universal pulls their songs, who wins?
How many of the artists might bolt from Universal, how many might become indie producers online?
Will consumers abandon the iPod? Especially considering most of the music on their iPods is from ripped CDs. Or if you're to believe the record executives it is stolen music? Where's the incentive for the consumer to abandon the iPod?
just saying
How many of the artists might bolt from Universal, how many might become indie producers online?
Will consumers abandon the iPod? Especially considering most of the music on their iPods is from ripped CDs. Or if you're to believe the record executives it is stolen music? Where's the incentive for the consumer to abandon the iPod?
just saying
SevenInchScrew
Sep 1, 09:50 AM
So i'm wondering, if the standard cars are indeed copy/pasted from GT4, then what about the new standard cars they will be adding (like updated models from the past 5 years)? Obviously the ps3 can handle higher poly models, so surely they wouldn't build new models then scale them down to match gt4... That would be idiotic.
As I understand it, all of the Standard� cars are using the models from GT4 and GT PSP. The models used in those 2 games are basically the same. GT PSP had well over 800 cars itself, and came out just last year, so it has quite a few newer models. So, subtract a few from the lists of those 2 games for the cars that have been updated to Premium� status, and you could still have well over 800 Standard� cars, as they say it will have. To me, that seems like the most likely solution that they've done.
As I understand it, all of the Standard� cars are using the models from GT4 and GT PSP. The models used in those 2 games are basically the same. GT PSP had well over 800 cars itself, and came out just last year, so it has quite a few newer models. So, subtract a few from the lists of those 2 games for the cars that have been updated to Premium� status, and you could still have well over 800 Standard� cars, as they say it will have. To me, that seems like the most likely solution that they've done.
Willis
Jul 27, 01:45 PM
I havent checked yet to see if someone mentioned it, but in regard to what people expect to see at WWDC, dont worry if it isnt annouced then... Paris Expo is in September.
Mac Pro's might come out then i think.
Mac Pro's might come out then i think.
shigzeo
Jul 14, 10:09 PM
there have not been enough reasons other than the 12" PB to be very excited about any computer for a while at apple. Suddenly, macbook and the new macpro look to be delivering, no matter the specs something worthy of a handclap. no money now, but next year or the next, there will be a new mac for me. just sold my ibook to buy a beautiful opus fidelio bicycle. it is much faster downhill than any intel core 2 duo "extreme".
technicolor
Sep 19, 08:49 PM
DailyTech (http://www.dailytech.com/article.aspx?newsid=4217) has a mention of the Core 2 Quadro processors.
Pricing mentioned was a little lower than I expected, but it's processors in the Conroe line rather than the Xeon. Having said that, the 3GHz Xeon is slightly cheaper than the 2.93GHz Conroe.
As expected, the highest rated speed mentioned is 2.67Ghz. This intel crap updates far too frequently...ugh
:mad:
Pricing mentioned was a little lower than I expected, but it's processors in the Conroe line rather than the Xeon. Having said that, the 3GHz Xeon is slightly cheaper than the 2.93GHz Conroe.
As expected, the highest rated speed mentioned is 2.67Ghz. This intel crap updates far too frequently...ugh
:mad:
cult hero
Mar 26, 12:13 PM
For example SAMBA has been removed and completely replaced with a ground up clean room implementation of SMB2 which will translate into better support for Windows Vista and 7 clients as well as the latest versions of Windows. Why hasn't that been mentioned by the nay sayers here?
Do we know this? I know Samba is being replaced but does anyone have any details?
I presume it's going to have better support for Vista and 7 clients purely because if Apple didn't care about that there would be no reason to ditch the older version of Samba that's GPL2. However, does anyone have any actual details on what Apple's Samba replacement is?
Do we know this? I know Samba is being replaced but does anyone have any details?
I presume it's going to have better support for Vista and 7 clients purely because if Apple didn't care about that there would be no reason to ditch the older version of Samba that's GPL2. However, does anyone have any actual details on what Apple's Samba replacement is?
Malligator
Mar 31, 04:27 PM
what is this bash apple competitors day?
What is this, "let's go on an Apple fansite and act surpised that it's full of Apple fans" day?
What is this, "let's go on an Apple fansite and act surpised that it's full of Apple fans" day?
iCrizzo
Mar 26, 10:55 AM
Bring on full screen!! :apple:
mkruck
Apr 6, 03:10 PM
Ok ok ok... xoom, ipad, whatever...
you'd rather have a hamburger than a delicious, melty CHEESEBURGER?
Frigging hamburger fanbois... :p
You busted me.
I am a hamburger fanboi, and will turn into a raving lunatic, foam at the mouth and make up opinions based on nothing all to defend my beloved hamburgers. After all they're lighter, slimmer and tastier than cheesburgers!!!
Sent from my Xoom using Tapatalk
you'd rather have a hamburger than a delicious, melty CHEESEBURGER?
Frigging hamburger fanbois... :p
You busted me.
I am a hamburger fanboi, and will turn into a raving lunatic, foam at the mouth and make up opinions based on nothing all to defend my beloved hamburgers. After all they're lighter, slimmer and tastier than cheesburgers!!!
Sent from my Xoom using Tapatalk
carlos700
Aug 7, 11:24 AM
I'd like to see your "Mac" model bumped up past the iMac. I think a lot of people, myself included, would pay a premium for the ability to upgrade. In fact, I wouldn't care if they didn't offer a completely new model as long as they offer some "affordable" manifestations of the Mac Pro. So how's this (and go easy on me here because I rarely delve into the technical aspect of things):
Eventually (i.e. by November), Core 2 Duo/Woodcrest across he board:
1) Mac mini: 2 models both with the 1.86 GHz Core 2 Duo
2) iMac: 2 models with 1.86 GHz and 2.13 GHz Core 2 Duo
3) Mac Pro: 4 models; 2 Core 2 Duo-based systems (2.40 GHz and 2.66 GHz) and 2 Xeon-based systems (2.80 GHz and 3.0 GHz). The higher-end Xeon systems would sport the same enclosure as the Core 2 Duo systems (similar to the PM G5) but would come in an anodized charcoal black enclosure.
Any takers?
-Squire
Well, most of that looks good except that there is no 2.8GHz Woodcrest.
Eventually (i.e. by November), Core 2 Duo/Woodcrest across he board:
1) Mac mini: 2 models both with the 1.86 GHz Core 2 Duo
2) iMac: 2 models with 1.86 GHz and 2.13 GHz Core 2 Duo
3) Mac Pro: 4 models; 2 Core 2 Duo-based systems (2.40 GHz and 2.66 GHz) and 2 Xeon-based systems (2.80 GHz and 3.0 GHz). The higher-end Xeon systems would sport the same enclosure as the Core 2 Duo systems (similar to the PM G5) but would come in an anodized charcoal black enclosure.
Any takers?
-Squire
Well, most of that looks good except that there is no 2.8GHz Woodcrest.
iliketyla
Mar 31, 07:05 PM
Precisely. I've been using HTC Android phones concurrently with my iPhones since I have multiple lines. I happen to like both platforms.
What the Android haters here fail to realize, is that they cannot act like adults and say I like this about my iPhone far better than Android.
Nooooo. They've got to preface it with something derogatory like "crappy Android" or worse. It shows their immaturity and inability to act intelligent. They reduce themselves to childish dolts. Idiots at best.
Maybe we can start a trend here!
As a former iPhone user who switched to Android and has been happy ever since, I will say that I was very happy with my iPhone, but my Android phone offers features that I couldn't imagine living without now.
Both iOS and Android are very nice operating systems, with their own strengths and weaknesses.
For me, Android works.
What the Android haters here fail to realize, is that they cannot act like adults and say I like this about my iPhone far better than Android.
Nooooo. They've got to preface it with something derogatory like "crappy Android" or worse. It shows their immaturity and inability to act intelligent. They reduce themselves to childish dolts. Idiots at best.
Maybe we can start a trend here!
As a former iPhone user who switched to Android and has been happy ever since, I will say that I was very happy with my iPhone, but my Android phone offers features that I couldn't imagine living without now.
Both iOS and Android are very nice operating systems, with their own strengths and weaknesses.
For me, Android works.
jmbear
Nov 29, 12:39 PM
See, that's the catch-22 for new artists. The labels are the ones that get tunes played on the radio. In the 50's and 60's they would strong-arm their stuff in, but I'm sure even nowadays they provide incentives (read: bribes) to get new stuff on the air. Especially if they think the band is really good and will make it in the long run. And don't fool yourself into thinking a new band can get huge without radio.
The internet can become the new radio. I am quite fond of looking for pre-made playlists, I will get the songs on LimeWire, listen to them, the ones I like, I buy legally, the ones I don�t I delete them. You don�t get commercials, just music. I am not saying that radio is going to dissapear completely. TV didn�t kill it. But its importance will diminish.
The problem is that the labels get the artists by the balls when they sign them up to ridiculous contracts. Your 1-4 examples look pretty good on paper, but in order to sell any significant number of copies of their music, anyone wanting it (but doesn't know it yet) has to wade through tons of (what that persons sees as) crap just to get any exposure to something they'll consider good. I'm sure there's a lot of music in the indie catalog that I would just love, but I don't have the time to wade through it all to find it. Instead, I'll listen to the radio and when I hear something I like, I'll try to pay attention to who it is. I may or may not end up buying it, or checking out what else they do, but without radio exposure, most good indie bands don't have a chance in hell of selling to anyone except those that happen to be in the bar where they're playing one weekend..
iTMS could potentially change this. There are some people that will do all the research for you (as in what is good music), then ratings will allow you to get the good songs! It�s similar (and somebody will flame me for saying this) to researching a product on Amazon or CNET, you usually look for a LCD screen, all the results pop, and you will go for the ones with the highest ratings, read the comments and eventually make up your mind. Some day you will look up for electronic music (which I love), all the DJ�s will pop, you will pick the highest rated songs or playlists (because most people like a song because other people like it), listen to their songs for free (yeah, just like radio), and then buy them if you want.
Now, if you take a look at already established and popular bands, that's a different story. Someone mentioned huge bands like Pink Floyd. Their last couple of CDs didn't need a big label to sell. People were going to buy it if they like Floyd no matter what. And in a case of that kind of popularity, the radio stations were going to play them with or without a major label. The same could be applied to other huge (classic) rock bands, as well as established artists in other music styles (country, rap, R&B, blues, etc...). Another example would be someone like Eric Clapton. He could put one out on "Clapton Records" and would sell nearly, if not exactly, the same number of CDs as he will on a major label..
I agree record labels + good music = superstars like Calpton, Floyd, U2 etc... But these bands became popular in a different time (before the internet). Internet is changing the record labels� business model, and that is what they afraid of. The new wait of creating bands and distributing their music is not as profitable for them as it used to.
Unfortunately, the number of artists (of any type of music) that could dismiss the labels and still sell as many CDs and get the same radio exposure are limited. And any new band is going to go nowhere without radio (or MTV/VH1) exposure.
Internet is offering them exposure. Right now MTV and VH1 are still popular. But YouTube, Yahoo!, MSN could become the new MTV and VH1.
Not really relevant, but interesting to think about is that most of you have probably seen the video of the ruma ruma guy (I can�t link it because I am at work and the proxie does not allow me to visit YouTube). But how many have actually seen the video for the song? YouTube made that fat kid a star, and most people probably know his face better than the guys that sing the song. Exposure.
In the end, I don't see the labels going away totally any time soon. They're in cahoots with the big FM music stations and in general, they do a good job of promoting new good bands that sign up. It's just a shame that there's really nothing to keep them from raping the artists. If there were just some way for new bands to get exposure to the masses without having to sell their souls to the labels then things would be better. Unfortunately, the Internet can only go so far in helping a new band with this.
I agree, they won�t go away anytime soon, but change is coming, and change will be good for artists and consumers, not for the record labels.
Sorry for my weird grammar or mispells, I am not a native english speaker, I don�t have a spell checker on this computer (in english at least) and I am too lazy to proof read what I wrote lol :)
The internet can become the new radio. I am quite fond of looking for pre-made playlists, I will get the songs on LimeWire, listen to them, the ones I like, I buy legally, the ones I don�t I delete them. You don�t get commercials, just music. I am not saying that radio is going to dissapear completely. TV didn�t kill it. But its importance will diminish.
The problem is that the labels get the artists by the balls when they sign them up to ridiculous contracts. Your 1-4 examples look pretty good on paper, but in order to sell any significant number of copies of their music, anyone wanting it (but doesn't know it yet) has to wade through tons of (what that persons sees as) crap just to get any exposure to something they'll consider good. I'm sure there's a lot of music in the indie catalog that I would just love, but I don't have the time to wade through it all to find it. Instead, I'll listen to the radio and when I hear something I like, I'll try to pay attention to who it is. I may or may not end up buying it, or checking out what else they do, but without radio exposure, most good indie bands don't have a chance in hell of selling to anyone except those that happen to be in the bar where they're playing one weekend..
iTMS could potentially change this. There are some people that will do all the research for you (as in what is good music), then ratings will allow you to get the good songs! It�s similar (and somebody will flame me for saying this) to researching a product on Amazon or CNET, you usually look for a LCD screen, all the results pop, and you will go for the ones with the highest ratings, read the comments and eventually make up your mind. Some day you will look up for electronic music (which I love), all the DJ�s will pop, you will pick the highest rated songs or playlists (because most people like a song because other people like it), listen to their songs for free (yeah, just like radio), and then buy them if you want.
Now, if you take a look at already established and popular bands, that's a different story. Someone mentioned huge bands like Pink Floyd. Their last couple of CDs didn't need a big label to sell. People were going to buy it if they like Floyd no matter what. And in a case of that kind of popularity, the radio stations were going to play them with or without a major label. The same could be applied to other huge (classic) rock bands, as well as established artists in other music styles (country, rap, R&B, blues, etc...). Another example would be someone like Eric Clapton. He could put one out on "Clapton Records" and would sell nearly, if not exactly, the same number of CDs as he will on a major label..
I agree record labels + good music = superstars like Calpton, Floyd, U2 etc... But these bands became popular in a different time (before the internet). Internet is changing the record labels� business model, and that is what they afraid of. The new wait of creating bands and distributing their music is not as profitable for them as it used to.
Unfortunately, the number of artists (of any type of music) that could dismiss the labels and still sell as many CDs and get the same radio exposure are limited. And any new band is going to go nowhere without radio (or MTV/VH1) exposure.
Internet is offering them exposure. Right now MTV and VH1 are still popular. But YouTube, Yahoo!, MSN could become the new MTV and VH1.
Not really relevant, but interesting to think about is that most of you have probably seen the video of the ruma ruma guy (I can�t link it because I am at work and the proxie does not allow me to visit YouTube). But how many have actually seen the video for the song? YouTube made that fat kid a star, and most people probably know his face better than the guys that sing the song. Exposure.
In the end, I don't see the labels going away totally any time soon. They're in cahoots with the big FM music stations and in general, they do a good job of promoting new good bands that sign up. It's just a shame that there's really nothing to keep them from raping the artists. If there were just some way for new bands to get exposure to the masses without having to sell their souls to the labels then things would be better. Unfortunately, the Internet can only go so far in helping a new band with this.
I agree, they won�t go away anytime soon, but change is coming, and change will be good for artists and consumers, not for the record labels.
Sorry for my weird grammar or mispells, I am not a native english speaker, I don�t have a spell checker on this computer (in english at least) and I am too lazy to proof read what I wrote lol :)
0815
Apr 27, 08:17 AM
I actually thought looking at a history of where my phone has been on a map was kinda cool. Bummer.
Yes - I was hoping when they 'fix' this that they will leave an option in the settings to keep that data - I absolutely enjoyed browsing through the data and revisit my trips that way (and sometimes wondering 'what the hack did I do in that location?)
Yes - I was hoping when they 'fix' this that they will leave an option in the settings to keep that data - I absolutely enjoyed browsing through the data and revisit my trips that way (and sometimes wondering 'what the hack did I do in that location?)
Peace
Aug 6, 07:37 PM
I know it won't be live, but that's ok -- I just hate missing a Steve keynote -- I've watching them for several years now...
It's the streams I can't get w/the satellite internet. What exactly is a terrestrial café system? (And I haven't complained... this Apple stream thing is the only thing I've not been able to view... everything else works fine so I don't know what the deal is.
Who's your satellite company? I have Wildblue and I get around 1980Kbps downstream..
Oh and Multimedia.I just got a HD LCD TV with a new HD receiver from Echostar and after watching football in HD I'll never go back!!
It's the streams I can't get w/the satellite internet. What exactly is a terrestrial café system? (And I haven't complained... this Apple stream thing is the only thing I've not been able to view... everything else works fine so I don't know what the deal is.
Who's your satellite company? I have Wildblue and I get around 1980Kbps downstream..
Oh and Multimedia.I just got a HD LCD TV with a new HD receiver from Echostar and after watching football in HD I'll never go back!!
gnasher729
Aug 18, 03:31 PM
Thats showing that the quad core Mac Pro is essentially the same speed as dual core Mac Pro. To translate it to normal mac scenario: If apple releases a 2.66GHz Conroe iMac/Mac/whathaveyou it will be able to crunch through FCP/Photoshop/etc faster than a Mac Pro because it can use regular DDR2 and won't suffer from horrendous memory latency.
It only shows that one company can expect to get massive complaints from its customers soon about its crappy software. An H.264 encoder can easily use two dozen cores if they are there (apart from the fact that it might be limited by the speed of the DVD drive if you encode straight from DVD); there is no reason at all why this software shouldn't be twice as fast on a Quad core and four times as fast on an eight core machine.
It only shows that one company can expect to get massive complaints from its customers soon about its crappy software. An H.264 encoder can easily use two dozen cores if they are there (apart from the fact that it might be limited by the speed of the DVD drive if you encode straight from DVD); there is no reason at all why this software shouldn't be twice as fast on a Quad core and four times as fast on an eight core machine.
Eidorian
Sep 13, 08:17 AM
DAMN :eek:
so 2-3 years from now are people going to be asking "why am I stuck with dual core in my macbook?" oh yeah I'll mostly be surfing the web and maybe editing a photo once and a while" :rolleyes:Fixed
so 2-3 years from now are people going to be asking "why am I stuck with dual core in my macbook?" oh yeah I'll mostly be surfing the web and maybe editing a photo once and a while" :rolleyes:Fixed
FFTT
Aug 6, 02:47 AM
I think we'll see at least some attention given to Pro Apps beings
that this is a developers conference.
It's high time for a new MacPro Workstation along with applications that take full advantage of the hardware's improved capabilities.
If wishes were horses, I'd hope for a new more user friendly
Logic Pro 8 with greater attention to ease of use for live recording. Hopefully Apple will release a UB version so us PPC
users can enjoy all the same improvements to some degree.
I'm not sure what to expect on the video side Final Cut Extreme?
Shake, Motion, Soundtrack?
Anyway, I think the focus of this event will be for the Pro's
that this is a developers conference.
It's high time for a new MacPro Workstation along with applications that take full advantage of the hardware's improved capabilities.
If wishes were horses, I'd hope for a new more user friendly
Logic Pro 8 with greater attention to ease of use for live recording. Hopefully Apple will release a UB version so us PPC
users can enjoy all the same improvements to some degree.
I'm not sure what to expect on the video side Final Cut Extreme?
Shake, Motion, Soundtrack?
Anyway, I think the focus of this event will be for the Pro's
ChickenSwartz
Jul 30, 04:45 PM
...The Merom chips will not be shipped until the end of Aug...
I don't think this is correct. The Merom chips were introduced last Thursday, but have been shipping for a while now, a month ahead of schedule.
Intel said that you could expect to see this chip in a laptop by the end of August. Does that mean custom built or in Best Buy (or wherever)?
It seems to me that if one was going to introduce a so called "Mac Pro" with the newest 64-bit processor, one would also choose introduce its mobile "Pro" counterpart.
I don't think this is correct. The Merom chips were introduced last Thursday, but have been shipping for a while now, a month ahead of schedule.
Intel said that you could expect to see this chip in a laptop by the end of August. Does that mean custom built or in Best Buy (or wherever)?
It seems to me that if one was going to introduce a so called "Mac Pro" with the newest 64-bit processor, one would also choose introduce its mobile "Pro" counterpart.
Anonymous Freak
Jul 15, 02:16 PM
Can anyone tell me the purpose of dual drive slots nowadays? I can see the use for them (and had computers with) when they were limited to one function, i.e. DVD-ROM for one and a CD-RW for the other but now that everything can happen in one drive with speed not being an issue, is it really nececcary to have two?
Early Blu-Ray burners can't read or write CDs, and are slow at DVDs. Maybe we'll see a Blu-Ray burner and a high-speed DVD�R(W)/CD-R(W).
Early Blu-Ray burners can't read or write CDs, and are slow at DVDs. Maybe we'll see a Blu-Ray burner and a high-speed DVD�R(W)/CD-R(W).
ianbailey
Apr 10, 09:02 AM
These are my predictions, based purely on idle speculation, same as everyone else:
Bored with all this 'Ooh, it will be like iMovies' business. iMovie is for fun, FCP is for pros.
As a pro editor you need to be able to preview and mark your clips before editing. Unless Apple comes up with some sort of compelling, Browser-based thingy, we won't be losing the Viewer window. The current FCP is flexible, you can close the Viewer if you want or have more than one Viewer.
The pro tag would go out the window if we lost tape I/O, plenty of people shoot on HDV. I reckon all standard definition support will go. As will Cinema Tools, as someone has already mentioned. Issues for those who master to Digi-Beta and author DVDs.
The possibilities of cloud storage are interesting, but there are obvious obstacles unless you're using low-rez proxies. A groovy control surface using the iPad / iPhone / iPod Touch? Bring it on!
Although a new FCP is great news, I'm wondering if the new Motion is going to be equally exciting. It's about time it stepped up and challenged After Effects.
Bored with all this 'Ooh, it will be like iMovies' business. iMovie is for fun, FCP is for pros.
As a pro editor you need to be able to preview and mark your clips before editing. Unless Apple comes up with some sort of compelling, Browser-based thingy, we won't be losing the Viewer window. The current FCP is flexible, you can close the Viewer if you want or have more than one Viewer.
The pro tag would go out the window if we lost tape I/O, plenty of people shoot on HDV. I reckon all standard definition support will go. As will Cinema Tools, as someone has already mentioned. Issues for those who master to Digi-Beta and author DVDs.
The possibilities of cloud storage are interesting, but there are obvious obstacles unless you're using low-rez proxies. A groovy control surface using the iPad / iPhone / iPod Touch? Bring it on!
Although a new FCP is great news, I'm wondering if the new Motion is going to be equally exciting. It's about time it stepped up and challenged After Effects.
grue
Apr 11, 06:29 AM
Well, I can say this much:
I don't care if they change the interface, because if the new version doesn't fix the LONGSTANDING issues with FCP, my post house is dumping FCP and moving to Avid and I'll have to get used to a new interface anyway.
Sick of bad file handling, sick of flawed roundtripping, sick of crappy multicore support, sick of flaky-as-hell Qmaster, sick of stupid little idiosyncrasies that make sense to nobody I've ever spoken to in the industry.
Apple needs to get their crap in gear or they're going to lose a lot of their FCP install base, not many places are happy with it anymore. I'm sure the idiot fanboys will buy it no matter what, but people like myself (who actually make a living and want reliable, efficient software) are ready to leave.
I don't care if they change the interface, because if the new version doesn't fix the LONGSTANDING issues with FCP, my post house is dumping FCP and moving to Avid and I'll have to get used to a new interface anyway.
Sick of bad file handling, sick of flawed roundtripping, sick of crappy multicore support, sick of flaky-as-hell Qmaster, sick of stupid little idiosyncrasies that make sense to nobody I've ever spoken to in the industry.
Apple needs to get their crap in gear or they're going to lose a lot of their FCP install base, not many places are happy with it anymore. I'm sure the idiot fanboys will buy it no matter what, but people like myself (who actually make a living and want reliable, efficient software) are ready to leave.
0 comments:
Post a Comment